{"title":"AEA","description":"","products":[{"product_id":"aea-r92","title":"AEA R92","description":"\u003cp data-mce-fragment=\"1\"\u003eExcellent condition ribbon microphone! \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCondition: Excellent \u003cbr\u003eAccessories:\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e Plastic case\u003c\/span\u003e\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":41579657789618,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/products\/image_fa0a6bb2-8212-4621-83f8-aa16895cb731.jpg?v=1643315806"},{"product_id":"aea-nuvo-n8-pair","title":"AEA Nuvo N8 (Pair)","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eOne of the most sought after mics in the game. Very close pair sonically, 2 serial numbers apart. \u003c\/p\u003e\n\u003cp\u003eCondition: Very good\u003cbr\u003eAccessories: Case, 4071 stand mount, velour pouch and manuals. \u003c\/p\u003e\n\u003cp\u003eListed price is for the pair.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":43232518439090,"sku":"M02658","price":1595.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/CA94149C-EF71-424E-9F95-D54953048E29.jpg?v=1691909426"},{"product_id":"aea-r44ce","title":"AEA R44CE","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eCondition: Very good\u003cbr\u003eAccessories: Captive cable and case\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":43502178402482,"sku":"M03024","price":1750.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/DF604C50-4A5F-4EE2-A11A-5EB4BB5BE8E9.jpg?v=1701902389"},{"product_id":"aea-trp-the-ribbon-pre","title":"AEA TRP The Ribbon Pre","description":"\u003cp data-mce-fragment=\"1\"\u003eAn original AEA ribbon pre. Working perfectly, an extremely accurate pair of pre’s. \u003cbr\u003e\u003cbr\u003eCondition: Very good\u003cbr\u003eAccessories: Power supply\u003cbr data-mce-fragment=\"1\"\u003e Voltage: 230V\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":43634983993522,"sku":"M03196","price":495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/4B91ADA0-2375-49B5-94BC-DED6BE98D9B3.jpg?v=1706359855"},{"product_id":"aea-ku5a","title":"AEA KU5A Supercardioid Ribbon Mic","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eBrand new AEA approved ribbon fitted by Xaudia prior to sale.\u003cbr\u003e\u003cbr\u003eCondition: Very good\u003cbr\u003eAccessories: Captive cable and case\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":43872339132594,"sku":null,"price":895.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/956928A1-7899-42B3-B580-12BAD76BD06A.jpg?v=1711664807"},{"product_id":"aea-rpq2","title":"AEA RPQ2","description":"\u003cp data-mce-fragment=\"1\"\u003eCondition: Very good\u003cbr\u003eAccessories: Power cable\u003cbr data-mce-fragment=\"1\"\u003e Voltage: 120\/240V\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":44216973394098,"sku":"M03640","price":1100.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/1A8CE1A7-6644-435D-8BF3-F35523ED4F3A.jpg?v=1714813046"},{"product_id":"aea-r88-mk2","title":"AEA R88 MK2 Stereo Ribbon Microphone","description":"\u003cp data-mce-fragment=\"1\"\u003eExcellent condition ribbon microphone! Re-ribboned by Xaudia prior to listing.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCondition: Mint \u003cbr\u003eAccessories:\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e Case and cable\u003c\/span\u003e\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":55347837665666,"sku":"M04932","price":1495.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/305A1C0A-FEA2-4AC2-A7D8-BBB1A8B88AC2.jpg?v=1751214877"},{"product_id":"aea-rpq500-ribbon-preamp","title":"AEA RPQ500 Ribbon Preamp","description":"\u003cp data-mce-fragment=\"1\"\u003eCondition: Mint\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTwo available, consecutive serials.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":55729453564290,"sku":null,"price":425.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/7245ECC9-B299-48D1-AB64-61BB5F74080F.jpg?v=1759003271"},{"product_id":"aea-r84","title":"AEA R84","description":"\u003cdiv class=\"woocommerce-product-details__short-description\"\u003eThe AEA R84 is a versatile large ribbon Microphone that provides engineers with a considerable amount EQ flexibility, and give the Big Ribbon sound in a smaller package.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eCondition: Very good \u003cbr\u003eAccessories:\u003cspan class=\"Apple-converted-space\"\u003e Pouch\u003c\/span\u003e\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56423383368066,"sku":"M05657","price":795.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/C5F111EC-F8B3-427B-8037-AC4EB480C266.jpg?v=1772302179"},{"product_id":"aea-nuvo-n28","title":"AEA Nuvo N28","description":"\u003cp\u003eThe AEA N28 is a compact active stereo ribbon microphone consisting of two matched bidirectional (or figure-of-8) ribbon transducers in a fixed Blumlein configuration. The N28 offers an effortless way to capture natural stereo, providing an authentic representation of a performance in its environment. Distinguishing itself from other AEA Stereo Ribbon Mics, the N28 is compact, maneuverable, and easy to use, making it ideal for a wide range of applications without the need for a multi-mic setup.\u003c\/p\u003e\n\u003cp\u003eWhether for drum overheads, room ambience, or close-miked stringed instruments, the N28 delivers a phase-coherent, accurate response. Its mid-forward frequency response, tamed proximity effect, and quick transient response make it versatile across various sources. The N28 excels on darker sources and is a practical solution for capturing a stereo image without drawing attention to the mic itself.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFast, accurate transient reproduction and mid-forward frequency response\u003c\/li\u003e\n\u003cli\u003eIdeal for medium distances (8 inches to 3 feet)\u003c\/li\u003e\n\u003cli\u003eCompact and discreet looks mean you don't have to sacrifice sound quality for video recordings or on stage\u003c\/li\u003e\n\u003cli\u003eCaptures amazingly precise stereo imagery with a single mic\u003c\/li\u003e\n\u003cli\u003eIncludes XLR breakout cable, storage case, shock mount clip, custom windscreen, protective mic sleeve, user manual\u003c\/li\u003e\n\u003cli\u003eTwo Figure-8 polar patterns in Blumlein Configuration (90 degrees)\u003c\/li\u003e\n\u003cli\u003eBrand new motor design, 1:89 Lehle transformer, and dual buffer-amp topology\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe N28 operates on standard 48V Phantom Power. This extra gain means you can choose a preamp based on sound, not gain or input impedance. From your desktop USB Interface all the way to boutique preamps, the N28's active circuitry ensures you will get a good signal from even the quietest sources. With an all-new impedance buffer amp topology and 1:89 Lehle transformer, the N28 does an excellent job at preventing noise interference on longer cable runs or when operating near lighting rigs.\u003c\/p\u003e\n\u003cp\u003ePacked into a sleek, compact design, the N28 delivers natural, immersive stereo sound without the need for a dual mic setup. Featuring an all-new motor design with 1.13\" long ribbons, the N28 captures every nuance with exceptional clarity and depth, making it ideal for both professional and home recording. Whether you're in a studio or performing live on stage, the N28 blends seamlessly into any space, offering high-quality stereo audio without drawing attention to the mic itself.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56452452811138,"sku":null,"price":2165.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_N28_Front.jpg?v=1772986367"},{"product_id":"aea-nuvo-n13","title":"AEA Nuvo N13","description":"\u003cp\u003eWith phantom-powered JFET electronics and a custom German transformer, the N13 performs equally well with a wide range of preamps ranging from vintage high-end models to USB audio interfaces common in home studio setups.\u003c\/p\u003e\n\u003cp\u003eAEA's NUVO series microphones have long been user favorites for their clarity, portability, and higher-output active electronics. The near-field N22 delivers clarity and balance for close-up sources, while the far-field N8 excels at capturing the open, natural tonality of entire rooms and ensembles. The only missing piece? A stand-out mid-field companion.\u003c\/p\u003e\n\u003cp\u003eEnter the N13, an equally sleek active ribbon designed with some distinctly different considerations in mind. At once open and natural, the N13 excels at medium-distance miking applications while demonstrating an impressive transient response. The N13 features a new motor design as well as a thinner, smaller ribbon (1.2 microns, rather than our standard 1.8), making it AEA's first non-Big Ribbon bidirectional mic.\u003c\/p\u003e\n\u003cp\u003eBright and sonically distinct from our N22 model, the N13 excels in capturing the subtle nuances of strings, acoustic guitars, and percussion. It's also well-suited for any sources that could use a boost in top-end clarity. Even when used up close, such as on horns or vocals, the N13 delivers exceptional clarity while also taking EQ extremely well.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAEA's first non-Big Ribbon bidirectional microphone\u003c\/li\u003e\n\u003cli\u003eEvenly balanced proximity effect at mid-field distances (~8\"-36\")\u003c\/li\u003e\n\u003cli\u003e1.2 micron thick ribbon excels at capturing transients\u003c\/li\u003e\n\u003cli\u003eLow profile and slate gray finish for discreet placement\u003c\/li\u003e\n\u003cli\u003eShines on horns, strings, acoustic guitar, and drum overheads\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56452459069826,"sku":null,"price":1082.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_N13_Front.jpg?v=1772986773"},{"product_id":"aea-nuvo-n13-stereo-kit","title":"AEA Nuvo N13 (Stereo Kit)","description":"\u003cp\u003eThe full potential of the N13 is perhaps best realised when configured in the NUVO Stereo Kit, as it draws on the same successful sonic concepts as the AEA R88 stereo mic.\u003c\/p\u003e\n\u003cp\u003eWith phantom-powered JFET electronics and a custom German transformer, the N13 performs equally well with a wide range of preamps ranging from vintage high-end models to USB audio interfaces common in home studio setups.\u003c\/p\u003e\n\u003cp\u003eAEA's NUVO series microphones have long been user favorites for their clarity, portability, and higher-output active electronics. The near-field N22 delivers clarity and balance for close-up sources, while the far-field N8 excels at capturing the open, natural tonality of entire rooms and ensembles. The only missing piece? A stand-out mid-field companion.\u003c\/p\u003e\n\u003cp\u003eEnter the N13, an equally sleek active ribbon designed with some distinctly different considerations in mind. At once open and natural, the N13 excels at medium-distance miking applications while demonstrating an impressive transient response. The N13 features a new motor design as well as a thinner, smaller ribbon (1.2 microns, rather than our standard 1.8), making it AEA's first non-Big Ribbon bidirectional mic.\u003c\/p\u003e\n\u003cp\u003eBright and sonically distinct from our N22 model, the N13 excels in capturing the subtle nuances of strings, acoustic guitars, and percussion. It's also well-suited for any sources that could use a boost in top-end clarity. Even when used up close, such as on horns or vocals, the N13 delivers exceptional clarity while also taking EQ extremely well.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAEA's first non-Big Ribbon bidirectional microphone\u003c\/li\u003e\n\u003cli\u003eEvenly balanced proximity effect at mid-field distances (~8\"-36\")\u003c\/li\u003e\n\u003cli\u003e1.2 micron thick ribbon excels at capturing transients\u003c\/li\u003e\n\u003cli\u003eLow profile and slate gray finish for discreet placement\u003c\/li\u003e\n\u003cli\u003eShines on horns, strings, acoustic guitar, and drum overheads\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56452461986178,"sku":null,"price":2415.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_N13_Pair_Front.jpg?v=1772987231"},{"product_id":"aea-nuvo-n8","title":"AEA Nuvo N8","description":"\u003cp\u003eThe N8 captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room, above a drum set, or overhead a string section.\u003c\/p\u003e\n\u003cp\u003eIt boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsh highs, and bellowing lows.\u003c\/p\u003e\n\u003cp\u003eThe N8 is a far-field ribbon mic, meaning it is designed to be positioned at an ideal distance of 12 inches or farther from the source of sound. This far-field design allows for a wide range of options when positioning the N8 to best capture an instrument within the context of a room.\u003c\/p\u003e\n\u003cp\u003eFrom as far away as 20 feet away, the N8 retains the low end frequencies of the sources it captures, and its open, natural tonality makes it perfect to record an entire orchestras or the full low end of a drum kit from overhead. The proximity effect of the N8 is present when recording a source from closer than 12 inches, so this feature can be used to accentuate the low-end of a vocal or string instrument. Potential damage from loud sources is of no concern, even at such a short distance, as the N8 can handle 141+dB SPL at 1 kHz.\u003c\/p\u003e\n\u003cp\u003eIf less proximity effect is desired when recording at close range, the near-field AEA N22 is an effective ribbon mic to complement the N8's far-field performance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOpen and natural sound\u003c\/li\u003e\n\u003cli\u003eFar-field ribbon mic that retains low end and top end from a distance\u003c\/li\u003e\n\u003cli\u003eSame design philosophy as the AEA R88 stereo ribbon mic\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight, and low-profile design\u003c\/li\u003e\n\u003cli\u003eFeatures active electronics and custom transformer optimised for all preamps\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe N8 is the mono version of the AEA R88 stereo microphone with active electronics.\u003c\/p\u003e\n\u003cp\u003eEngineers in both the studio and on the scoring stage who use the R88 desired a mono version that was more discreet, lightweight and easier to position. The N8 and R88 share the same minimalist design philosophy and honest sound. A pair of N8s with the NUVO stereo kit can emulate the R88, but a special preamp is not needed since the N8 uses active circuitry.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56452551311746,"sku":null,"price":1082.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_N8_Front.jpg?v=1772988691"},{"product_id":"aea-nuvo-n8-stereo-kit","title":"AEA Nuvo N8 (Stereo Kit)","description":"\u003cp\u003eThe N8 captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room, above a drum set, or overhead a string section.\u003c\/p\u003e\n\u003cp\u003eIt boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsh highs, and bellowing lows.\u003c\/p\u003e\n\u003cp\u003eThe N8 is a far-field ribbon mic, meaning it is designed to be positioned at an ideal distance of 12 inches or farther from the source of sound. This far-field design allows for a wide range of options when positioning the N8 to best capture an instrument within the context of a room.\u003c\/p\u003e\n\u003cp\u003eFrom as far away as 20 feet away, the N8 retains the low end frequencies of the sources it captures, and its open, natural tonality makes it perfect to record an entire orchestras or the full low end of a drum kit from overhead. The proximity effect of the N8 is present when recording a source from closer than 12 inches, so this feature can be used to accentuate the low-end of a vocal or string instrument. Potential damage from loud sources is of no concern, even at such a short distance, as the N8 can handle 141+dB SPL at 1 kHz.\u003c\/p\u003e\n\u003cp\u003eIf less proximity effect is desired when recording at close range, the near-field AEA N22 is an effective ribbon mic to complement the N8's far-field performance.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOpen and natural sound\u003c\/li\u003e\n\u003cli\u003eFar-field ribbon mic that retains low end and top end from a distance\u003c\/li\u003e\n\u003cli\u003eSame design philosophy as the AEA R88 stereo ribbon mic\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight, and low-profile design\u003c\/li\u003e\n\u003cli\u003eFeatures active electronics and custom transformer optimised for all preamps\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe N8 is the mono version of the AEA R88 stereo microphone with active electronics.\u003c\/p\u003e\n\u003cp\u003eEngineers in both the studio and on the scoring stage who use the R88 desired a mono version that was more discreet, lightweight and easier to position. The N8 and R88 share the same minimalist design philosophy and honest sound. A pair of N8s with the NUVO stereo kit can emulate the R88, but a special preamp is not needed since the N8 uses active circuitry.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56452555440514,"sku":null,"price":2415.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_N8_Pair_Front.jpg?v=1772989220"},{"product_id":"aea-nuvo-n22","title":"AEA Nuvo N22","description":"\u003cp\u003eThe near-field N22 is a modern ribbon mic that challenges expectations of traditional ribbon technology and can reframe the way you record with ribbons.\u003c\/p\u003e\n\u003cp\u003eIt delivers clarity and balance in frequency response, even when positioned just inches from the source, and can stand alone in a mix without the need for the blending additional mic signals due to its extended top-end.\u003c\/p\u003e\n\u003cp\u003eThe N22 can be positioned inches away from an instrument and retain a balanced sound with extended top end while avoiding the room tone that can cause problems in smaller spaces or iso booths. This is what makes the N22 special.\u003c\/p\u003e\n\u003cp\u003eIt exhibits a high-frequency bump at 3kHz making it ideal for recording vocals, electric guitar, bass cabs, kick drum, acoustic guitar, and percussion. It is best to think of the N22's placement in terms of inches instead of feet.\u003c\/p\u003e\n\u003cp\u003eThe N22 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths. Naturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post.\u003c\/p\u003e\n\u003cp\u003eThe N22 was designed to be positioned between 1 and 16 inches from the sound source. It retains a balanced frequency response across the spectrum with limited proximity effect. In a traditional ribbon mic, the proximity effect can be so strong that it obscures the mid-range, which can be extremely difficult to correct.\u003c\/p\u003e\n\u003cp\u003eUnlike traditional ribbon mics, think of the N22s placement in terms of inches instead of feet. Of course, near-field mics can be positioned at a distance, but they have a more balanced sound close to the sound source.\u003c\/p\u003e\n\u003cp\u003eThe N22 not only handles the SPL levels of a high-gain amplifier and kick drum with ease, but it also translates all the gritty details of an instrument that musicians seek.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtended top end with a ribbon's classic warmth\u003c\/li\u003e\n\u003cli\u003eNear-field ribbon mic with reduced proximity effect\u003c\/li\u003e\n\u003cli\u003eBalanced frequency response at 1 to 18 inches from the source\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight design with rugged durability\u003c\/li\u003e\n\u003cli\u003eActive electronics and custom transformer optimised for all preamps\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56452581065090,"sku":null,"price":999.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_N22_Front.jpg?v=1772989892"},{"product_id":"aea-nuvo-n22-stereo-kit","title":"AEA Nuvo N22 (Stereo Kit)","description":"\u003cp\u003eThe near-field N22 is a modern ribbon mic that challenges expectations of traditional ribbon technology and can reframe the way you record with ribbons.\u003c\/p\u003e\n\u003cp\u003eIt delivers clarity and balance in frequency response, even when positioned just inches from the source, and can stand alone in a mix without the need for the blending additional mic signals due to its extended top-end.\u003c\/p\u003e\n\u003cp\u003eThe N22 can be positioned inches away from an instrument and retain a balanced sound with extended top end while avoiding the room tone that can cause problems in smaller spaces or iso booths. This is what makes the N22 special.\u003c\/p\u003e\n\u003cp\u003eIt exhibits a high-frequency bump at 3kHz making it ideal for recording vocals, electric guitar, bass cabs, kick drum, acoustic guitar, and percussion. It is best to think of the N22's placement in terms of inches instead of feet.\u003c\/p\u003e\n\u003cp\u003eThe N22 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths. Naturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post.\u003c\/p\u003e\n\u003cp\u003eThe N22 was designed to be positioned between 1 and 16 inches from the sound source. It retains a balanced frequency response across the spectrum with limited proximity effect. In a traditional ribbon mic, the proximity effect can be so strong that it obscures the mid-range, which can be extremely difficult to correct.\u003c\/p\u003e\n\u003cp\u003eUnlike traditional ribbon mics, think of the N22s placement in terms of inches instead of feet. 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As a near-field ribbon designed for close range recording, the KU5A delivers the low-end heft and pronounced midrange one expects of AEA ribbons and with moderate, manageable proximity effect. Vocalists can sing directly into the grill of the KU5A, as its interior components are the most protected of any in the AEA lineup.\u003c\/p\u003e\n\u003cp\u003eThe KU5A is equipped with active electronics, fit for any preamp in the studio and on the road, as well as an integrated high-pass filter to roll off low end in close range recording applications.\u003c\/p\u003e\n\u003cp\u003eThe KU5A's supercardioid polar pattern captures pure, direct sound while rejecting room tone from behind the mic. This feature prevents excessive monitor and audience bleed when tracking musicians live in one room or on stage. Traditional figure-of-8 ribbons, which distinctly incorporate both direct sound and room sound, rely on sharp nulls to reject unwanted bleed.\u003c\/p\u003e\n\u003cp\u003eThe KU5A's end-address directionality and tight supercardioid pattern allow for effortless positioning on snare, toms, and other instruments that may be difficult to access. Signal bleed captured by dynamic mics and condensers often sounds harsh and brittle due to top-end frequencies. The minimal bleed captured by the KU5A sounds more natural as a result of its smooth top end and coheres well in a mix.\u003c\/p\u003e\n\u003cp\u003eThe active KU5A comes complete with a custom transformer and JFET electronics. It features the same custom transformer as the A440, R84A, and NUVO ribbon mics, providing greater output, less audible noise, and stable impedance. This allows for consistent frequency response and greater flexibility with different preamps, including those within audio interfaces. The boosted output of the KU5A is beneficial when recording quiet sources like vocals and soft acoustic guitars, and the active circuitry prevents noise interference. The KU5A operates with standard 48-volt phantom power.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSupercardioid polar pattern that rejects room tone and instrument bleed\u003c\/li\u003e\n\u003cli\u003eDetailed, extended top end with ribbon smoothness and warmth\u003c\/li\u003e\n\u003cli\u003eSupreme durability for close-range, outdoor, and live use\u003c\/li\u003e\n\u003cli\u003eActive electronics and custom transformer optimised for all preamps\u003c\/li\u003e\n\u003cli\u003eFront address design with built-in yoke is simple to position\u003c\/li\u003e\n\u003cli\u003eIntegrated high-pass filter switch reduces proximity effect at close-range\u003c\/li\u003e\n\u003cli\u003eMatte black finish is discreet on camera\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56452609802626,"sku":null,"price":1332.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_KU5A_Top.jpg?v=1772991513"},{"product_id":"aea-r88-mk2-new","title":"AEA R88 Mk2","description":"\u003cp\u003eThe stereo R88 captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room or above a drum set.\u003c\/p\u003e\n\u003cp\u003eAlongside the mono AEA N8, it boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. The Blumlein configuration of the ribbons allows for a sweeping range of perspective, so an entire ensemble and room can be captured by the R88 alone.\u003c\/p\u003e\n\u003cp\u003eThe R88A retains the same sonic character of the R88 but offers an additional 12dB of output and a stable impedance that allows flexibility when recording quiet sources through any preamp. \u003c\/p\u003e\n\u003cp\u003eR88 Series mics are an engineer's secret weapon, offering a level of detail and balance in recording like no other microphone available. Packaged in a sleek, 2.6 pound black shell designed for quick setup, it’s an excellent choice for remote recording.\u003c\/p\u003e\n\u003cp\u003eParticularly well suited for the rock, roots, classical, Americana and jazz genres, R88 Series microphones have such versatility that engineers like John Cuniberti use it as their one mic to capture an entire band performing live in the same room. There is a reason that legendary Blackbird Studios in Nashville owns five R88s.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFeatures two Big Ribbons in a fixed Blumlein and mid-side configuration\u003c\/li\u003e\n\u003cli\u003eAstonishingly open and natural sound\u003c\/li\u003e\n\u003cli\u003eFar-field ribbon mic designed to retain low end and top end at a distance\u003c\/li\u003e\n\u003cli\u003eStereo version of the AEA N8\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454098321794,"sku":null,"price":1999.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_R88_Mk2_Front.jpg?v=1773058669"},{"product_id":"aea-r88a-active","title":"AEA R88A Active","description":"\u003cp\u003eThe stereo R88 captures a space as it sounds live and in person, with all the present subtlety and nuance. Its expansive frequency response and balanced low end make it superbly effective when capturing the full breadth of sound from the back of a room or above a drum set.\u003c\/p\u003e\n\u003cp\u003eAlongside the mono AEA N8, it boasts the widest frequency range of any mic in the AEA lineup and effortlessly manages more complex source audio like drums, strings, piano, and other instruments that produce intricate transients, harsher highs, and bellowing lows. The Blumlein configuration of the ribbons allows for a sweeping range of perspective, so an entire ensemble and room can be captured by the R88 alone.\u003c\/p\u003e\n\u003cp\u003eThe R88A retains the same sonic character of the R88 but offers an additional 12dB of output and a stable impedance that allows flexibility when recording quiet sources through any preamp. \u003c\/p\u003e\n\u003cp\u003eR88 Series mics are an engineer's secret weapon, offering a level of detail and balance in recording like no other microphone available. Packaged in a sleek, 2.6 pound black shell designed for quick setup, it’s an excellent choice for remote recording.\u003c\/p\u003e\n\u003cp\u003eParticularly well suited for the rock, roots, classical, Americana and jazz genres, R88 Series microphones have such versatility that engineers like John Cuniberti use it as their one mic to capture an entire band performing live in the same room. There is a reason that legendary Blackbird Studios in Nashville owns five R88s.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eActive R88A version has 12dB level increase and is optimised for all preamps\u003c\/li\u003e\n\u003cli\u003eFeatures two Big Ribbons in a fixed Blumlein and mid-side configuration\u003c\/li\u003e\n\u003cli\u003eAstonishingly open and natural sound\u003c\/li\u003e\n\u003cli\u003eFar-field ribbon mic designed to retain low end and top end at a distance\u003c\/li\u003e\n\u003cli\u003eStereo version of the AEA N8\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454124339586,"sku":null,"price":2332.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEAR88AFront.jpg?v=1773059308"},{"product_id":"aea-r44ce-new","title":"AEA R44CE","description":"\u003cp\u003eAEA's R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. AEA manufactures three different versions of the R44 and an optional hotrod.\u003c\/p\u003e\n\u003cp\u003eAt the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/p\u003e\n\u003cp\u003eThe passive R44 is available in two exteriors -  the original museum-quality replica R44C and the aesthetically cost-effective R44CE. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e\n\u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e\n\u003cli\u003eFaithful reproduction of the RCA R44BX. Ribbon material meets or exceeds original RCA spec.\u003c\/li\u003e\n\u003cli\u003eEconomy exterior R44CE exhibits same, classic sound\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454172082562,"sku":null,"price":3207.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_R44CE_Front.jpg?v=1773059980"},{"product_id":"aea-r44c","title":"AEA R44C","description":"\u003cp\u003eAEA's R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. AEA manufactures three different versions of the R44 and an optional hotrod.\u003c\/p\u003e\n\u003cp\u003eAt the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/p\u003e\n\u003cp\u003eThe passive R44 is available in two exteriors -  the original museum-quality replica R44C and the aesthetically cost-effective R44CE. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e\n\u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e\n\u003cli\u003eFaithful reproduction of the RCA R44BX. Ribbon material meets or exceeds original RCA spec.\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454186271106,"sku":null,"price":3915.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_R44C_Front.jpg?v=1773060164"},{"product_id":"aea-r44cx-high-output","title":"AEA R44CX (High Output)","description":"\u003cp\u003eAEA's R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. AEA manufactures three different versions of the R44 and an optional hotrod.\u003c\/p\u003e\n\u003cp\u003eAt the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/p\u003e\n\u003cp\u003eThe passive R44 is available in two exteriors -  the original museum-quality replica R44C and the aesthetically cost-effective R44CE. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price.\u003c\/p\u003e\n\u003cp\u003eAEA developed a modified R44 transducer, called the X-Motor, that includes two additional magnets that provide an extra 6db of output. With a sound identical to the original 44, the X-Motor 'hot rod' mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. Available as an upgrade in R44C and CE models, the X-Motor version of the R44 bears a red-badge on the outside instead of the standard black badge.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e\n\u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e\n\u003cli\u003eFaithful reproduction of the RCA R44BX. Ribbon material meets or exceeds original RCA spec.\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454207734146,"sku":null,"price":4457.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_R44CX_Front.jpg?v=1773060635"},{"product_id":"aea-r44cxe-high-output","title":"AEA R44CXE (High Output)","description":"\u003cp\u003eAEA's R44 Series microphones all share the authentic sound, feel and look of the 1936-38 RCA 44BX. The R44 series microphones are all detailed, hand-crafted replicas, using parts that are made to be interchangeable with an original RCA 44. AEA manufactures three different versions of the R44 and an optional hotrod.\u003c\/p\u003e\n\u003cp\u003eAt the core, every version of the R44 sounds the same when powered with a ribbon preamp. The major differences between the versions are the exterior look and the amount of output level.\u003c\/p\u003e\n\u003cp\u003eThe passive R44 is available in two exteriors -  the original museum-quality replica R44C and the aesthetically cost-effective R44CE. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price.\u003c\/p\u003e\n\u003cp\u003eAEA developed a modified R44 transducer, called the X-Motor, that includes two additional magnets that provide an extra 6db of output. With a sound identical to the original 44, the X-Motor 'hot rod' mod is useful for scoring and classical sessions and other applications demanding a wide dynamic range with the classic 44 sound. Available as an upgrade in R44C and CE models, the X-Motor version of the R44 bears a red-badge on the outside instead of the standard black badge.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e\n\u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e\n\u003cli\u003eFaithful reproduction of the RCA R44BX. 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The major differences between the versions are the exterior look and the amount of output level.\u003c\/p\u003e\n\u003cp\u003eThe passive R44 is available in two exteriors -  the original museum-quality replica R44C and the aesthetically cost-effective R44CE. Both mics have an identical sound and are exactly the same on the inside. The difference between the two is only cosmetics and price.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eActive A440 upgrade has 18dB level increase and is optimised for all preamps\u003c\/li\u003e\n\u003cli\u003eUnparalleled warmth and legendary character\u003c\/li\u003e\n\u003cli\u003eFull and rich tonality with generous low end and proximity effect\u003c\/li\u003e\n\u003cli\u003eFaithful reproduction of the RCA R44BX. Ribbon material meets or exceeds original RCA spec.\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454263734658,"sku":null,"price":5832.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_A440_Front.jpg?v=1773060891"},{"product_id":"aea-r84-new","title":"AEA R84","description":"\u003cp\u003eThe R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range, complete with sweeping highs and booming lows.\u003c\/p\u003e\n\u003cp\u003eThe R84 series' balanced and manageable proximity effect bolsters the low-end of vocals, drums, and brass, from just feet away. A ribbon mic as multi-purpose, lightweight, and maneuverable as the R84 is well-suited for both close-range and ambient mic applications.\u003c\/p\u003e\n\u003cp\u003eR84 series ribbon mics are a staple in numerous recording studios because of a unique tonality and classic sound. The smooth, high-frequency roll-off and reduced sibilance of the R84 make it the first choice for engineers when tracking vocals or other instruments that often sound harsh when recorded with condenser mics.\u003c\/p\u003e\n\u003cp\u003eThe R84's accentuated mid-range captures the unique qualities of many instruments with detailed elegance. Its remarkable low-end response is perfect for adding heft to the sound of drum kits or otherwise thin vocals. R84 series mics perform well on practically any voice or musical instrument, making them highly useful in recording and \u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454282609026,"sku":null,"price":1082.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_R84_Front.jpg?v=1773061190"},{"product_id":"aea-r84a-active","title":"AEA R84A Active","description":"\u003cp\u003eThe R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range, complete with sweeping highs and booming lows.\u003c\/p\u003e\n\u003cp\u003eThe R84 series' balanced and manageable proximity effect bolsters the low-end of vocals, drums, and brass, from just feet away. A ribbon mic as multi-purpose, lightweight, and maneuverable as the R84 is well-suited for both close-range and ambient mic applications.\u003c\/p\u003e\n\u003cp\u003eR84 series ribbon mics are a staple in numerous recording studios because of a unique tonality and classic sound. The smooth, high-frequency roll-off and reduced sibilance of the R84 make it the first choice for engineers when tracking vocals or other instruments that often sound harsh when recorded with condenser mics.\u003c\/p\u003e\n\u003cp\u003eThe R84's accentuated mid-range captures the unique qualities of many instruments with detailed elegance. Its remarkable low-end response is perfect for adding heft to the sound of drum kits or otherwise thin vocals. R84 series mics perform well on practically any voice or musical instrument, making them highly useful in recording and \u003c\/p\u003e\n\u003cp\u003eFor those without access to an ideal preamp, AEA offers the Active R84A (formerly known as the A840), a premium version of the R84 complete with JFET electronics and the same custom transformer used in the active R44. It's basically an R84 with a built-in preamp.\u003c\/p\u003e\n\u003cp\u003eThe active R84A mic retains the same sonic character of the R84, but with an additional 12dB of output and a stable impedance. This gives a consistent frequency response and greater flexibility with different preamps, including those found in audio interfaces for personal computers. This is great for on-the-road musicians who might have to use a different preamp each night.\u003c\/p\u003e\n\u003cp\u003eThe extra 12db of output is vital when recording quiet sources like vocals or soft acoustic guitars. The active circuitry also prevents noise interference on long cable runs or when operating near large lighting rigs. The R84A’s active circuitry requires standard 48-volt phantom power to operate. The premium R84A also flaunts an 18-karat, gold-plated grille.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454296437122,"sku":null,"price":1332.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_R84A_Front.jpg?v=1773061607"},{"product_id":"aea-ku4","title":"AEA KU4","description":"\u003cp\u003eAEA's KU4 is one of the most useful and unique ribbon microphones in the world. Its supercardioid polar pattern rejects bleed from other instruments and reflections in the room while retaining matchless top-end clarity. 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The KU4 has none of these limitations.\u003c\/p\u003e\n\u003cp\u003eBeing a near-field ribbon microphone, the microphone was designed to be positioned between one and 18 inches from the source. The mic’s proximity effect kicks in six inches away from the sound source. It can be placed close to an instrument while retaining a balanced frequency response.\u003c\/p\u003e\n\u003cp\u003eUnlike most traditional ribbon mics, think the KU4's placement should be thought in terms of inches instead of feet. Of course, the KU4 can also be positioned at some distance from the sound source. It will just have a more balanced sound from up close.\u003c\/p\u003e\n\u003cp\u003eThe KU4 can handle 140+ dB SPL at 1 kHz. That means it will not be hurt by loud sound sources.\u003c\/p\u003e\n\u003cp\u003eAfter getting used to bright condenser microphones, sometimes traditional ribbon mics sound darker than desired. 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Similar in sound to the AEA R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion.\u003c\/p\u003e\n\u003cp\u003eOne side of the R92 yields a tonality distinct from the other, essentially providing two mics in one giving options on different sources. When supplemented with a brighter mic signal, the R92 serves to balance the scales in a mix with its low-end clarity and warm midrange.\u003c\/p\u003e\n\u003cp\u003eWith its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. The front side offers a crisp sonic signature - tailored to have a bright sound. The back side is darker and smoother. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The bass reproduction of the mic extends to the lowest audible bass frequencies.\u003c\/p\u003e\n\u003cp\u003eThe R92 was designed to be positioned between 1 and 18 inches from the sound source. It retains a balanced frequency response across the spectrum with limited proximity effect. The R92 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths.\u003c\/p\u003e\n\u003cp\u003eNaturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post. In a traditional ribbon mic, the proximity effect can be so strong that it obscures the mid-range, which can be extremely difficult to correct.\u003c\/p\u003e\n\u003cp\u003eUnlike traditional ribbon mics, think of the R92s placement in terms of inches instead of feet. Of course, near-field mics can be positioned at a distance, but they have a more balanced sound close to the sound source.\u003c\/p\u003e\n\u003cp\u003eThe R92 not only handles the SPL levels of a high-gain amplifier and loud trombone with ease, but it also translates all the gritty details of an instrument that musicians seek.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRich low-end, warm detailed mid-range and a smooth top-end\u003c\/li\u003e\n\u003cli\u003eDifferent tonality on front and back sides, giving users a sonic choice\u003c\/li\u003e\n\u003cli\u003eHas a similar character to the classic R84 with less proximity effect\u003c\/li\u003e\n\u003cli\u003eNear-field ribbon mic with reduced proximity effect\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454324584834,"sku":null,"price":999.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_R92_Front.jpg?v=1773062740"},{"product_id":"aea-r92-matched-pair","title":"AEA R92 (Matched Pair)","description":"\u003cp\u003eOffering a classic ribbon character in the form of a near-field, the dual-tone R92 functions as a versatile creative tool with innumerable possibilities. Similar in sound to the AEA R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion.\u003c\/p\u003e\n\u003cp\u003eOne side of the R92 yields a tonality distinct from the other, essentially providing two mics in one giving options on different sources. When supplemented with a brighter mic signal, the R92 serves to balance the scales in a mix with its low-end clarity and warm midrange.\u003c\/p\u003e\n\u003cp\u003eWith its dual sonic character, the R92 offers limitless creative options for capturing a signature sound. The front side offers a crisp sonic signature - tailored to have a bright sound. The back side is darker and smoother. It is ideal for taming harsh sounds such as trumpets and strings in a refined and flattering way. The bass reproduction of the mic extends to the lowest audible bass frequencies.\u003c\/p\u003e\n\u003cp\u003eThe R92 was designed to be positioned between 1 and 18 inches from the sound source. It retains a balanced frequency response across the spectrum with limited proximity effect. The R92 naturally reduces proximity effect while also avoiding the room tone that can cause problems in smaller spaces or iso booths.\u003c\/p\u003e\n\u003cp\u003eNaturally rolling off the low-end before it hits the ribbon creates a much different sound than using electronic equalization to roll off the low-end in post. In a traditional ribbon mic, the proximity effect can be so strong that it obscures the mid-range, which can be extremely difficult to correct.\u003c\/p\u003e\n\u003cp\u003eUnlike traditional ribbon mics, think of the R92s placement in terms of inches instead of feet. 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More than just a preamp, the RPQ503 also includes the expanded EQ section of the RPQ3, with boost and cut controls for both low and high end, on custom, compact, dual-concentric potentiometers.\u003c\/p\u003e\n\u003cp\u003eFeaturing a powerful combination of ultra-low noise, low-distortion op-amps, ultra-high 68KΩ input impedance, and 85dB of clean gain, the RPQ503 delivers exceptional clarity and detail.\u003c\/p\u003e\n\u003cp\u003eThe RPQ503 was designed to work great on passive ribbon microphones, however, when a preamp works well with a passive ribbon microphone, it will excel on every microphone. At once open, transparent, and musical, the RPQ503 is a versatile tool for the front end of any signal path.\u003c\/p\u003e\n\u003cp\u003eThe RPQ503 is a powerhouse that provides unparalleled high gain with low-noise. With 85db of clean gain, the RPQ503 gives you enough juice to record soft sources without ever having to worry about noise. The RPQ503 is the tool of choice for all microphones whenever a true and pristine signal path is desired. AEA's 3rd generation circuitry is the cleanest and most musical design we’ve done yet.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAEA Gen 3 Preamp Circuitry with our Signature CurveShaper EQ\u003c\/li\u003e\n\u003cli\u003e1-Space 500-Series Preamp\u003c\/li\u003e\n\u003cli\u003eUltra-High 68KΩ Input Impedance\u003c\/li\u003e\n\u003cli\u003e7 to 85 dB of Gain\u003c\/li\u003e\n\u003cli\u003eEQ Boost\/Cut, +\/-20 dB with LF\/HF Sweepable Frequency\u003c\/li\u003e\n\u003cli\u003ePolarity Switch\u003c\/li\u003e\n\u003cli\u003eMic\/Line Input Switching\u003c\/li\u003e\n\u003cli\u003eMade in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56454546850178,"sku":null,"price":665.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_RPQ503_Front.jpg?v=1773064417"},{"product_id":"aea-trp500","title":"AEA TRP500","description":"\u003cp\u003eThe first product in AEA's 3rd-generation of microphone preamps, the TRP500 leans on the side of neutral but is unlike other \"clean\" preamps because of its rich and musical tonality. Optimised for ribbon mics, the TRP500 offers up to 85dB of effortless gain for any microphone.\u003c\/p\u003e\n\u003cp\u003eBased on the circuit and topology of the company's original AEA TRP preamp, the TRP500 has the low noise, musical sonics, and ultra-high gain and impedance (100,000 Ohms) that AEA is renowned for. The TRP500 excels at drawing out the warmth and lush sound of ribbon mics as well as other top-level microphones. With up to 85 dB of quiet DC-coupled gain, minimal path architecture, and a gentle 115 Hz or 230 Hz high pass filter, this preamp puts as little as possible between you and your audience.\u003c\/p\u003e\n\u003cp\u003eLike all AEA products, the TRP500 is handcrafted in Pasadena, California from locally sourced parts. AEA is a family-owned company with a small crew of skilled technicians, many of whom are musicians themselves.\u003c\/p\u003e\n\u003cp\u003eThe ultra-high gain DC-coupled JFET circuit has two input impedances: 11,900 Ohms with phantom power \"ON\" and 100,000 Ohms with phantom power \"OFF\". The 100,000 Ohm mode brings out the best in passive ribbons and tube mics, and also provides a unique balanced input for vintage, high-impedance dynamic mics. This versatility ensures the highest sensitivity, bandwidth, transient response, and clarity possible for a wide variety of microphones.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSingle-channel, 500 series format\u003c\/li\u003e\n\u003cli\u003e85dB of quiet, DC-coupled JFET gain\u003c\/li\u003e\n\u003cli\u003eUltra-high impedance (66,000 Ohms)\u003c\/li\u003e\n\u003cli\u003eSwitchable 115 Hz or 230 Hz high-pass filter\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and polarity reverse\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56456618246530,"sku":null,"price":582.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_TRP500_Front.jpg?v=1773144114"},{"product_id":"aea-trp3","title":"AEA TRP3","description":"\u003cp\u003eThe AEA TRP3 mic preamp utilises AEA's newest 3rd generation circuit design. This versatile, half-rack preamp provides two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.\u003c\/p\u003e\n\u003cp\u003eThe AEA TRP3 Ribbon Preamp provides two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.\u003c\/p\u003e\n\u003cp\u003eSpecifically designed for ribbon microphones, the TRP3 excels at drawing out the warmth and lush sound that ribbons are uniquely known for. AEA's 3rd generation circuitry is the cleanest and most musical design they've done yet. \u003c\/p\u003e\n\u003cp\u003eThe TRP3 is a half-rack powerhouse that provides unparalleled high gain with low-noise. With 85db of output, the TRP3 gives you enough juice to record soft sources without ever having to worry about noise.\u003c\/p\u003e\n\u003cp\u003ePassive ribbons and other low-level sources require preamps that supply a high level of output. Without enough clean gain, low-level mic signals can sound too soft or too noisy. This noise can be especially evident when recording quieter instruments (acoustic guitars, strings), recording at a distance or when using long cable runs.\u003c\/p\u003e\n\u003cp\u003eWith the TRP3, you will never consider a source too quiet to record with a ribbon mic ever again.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo-channel, high-gain, half-rack mic pre\u003c\/li\u003e\n\u003cli\u003eUltra-high 68KΩ input impedance (phantom power off)\u003c\/li\u003e\n\u003cli\u003e7 to 85 dB of gain\u003c\/li\u003e\n\u003cli\u003e48V phantom and polarity switch\u003c\/li\u003e\n\u003cli\u003eHPF switchable -3dB at 115 Hz or 230 Hz\u003c\/li\u003e\n\u003cli\u003eExternal PSU\u003c\/li\u003e\n\u003cli\u003eOptional rack ears (for one unit) or rack shelf (two units) for mounting purposes\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56456634073474,"sku":null,"price":1124.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_TRP3_Front.jpg?v=1773144586"},{"product_id":"aea-rpq3","title":"AEA RPQ3","description":"\u003cp\u003eThe AEA RPQ3 preamp and EQ utilises AEA's newest 3rd generation circuit design. Two channels of high-output, high-impedance, and low-noise gain with a unique EQ architecture optimises the performance of your microphones.\u003c\/p\u003e\n\u003cp\u003eThe AEA RPQ3 Ribbon Preamp and EQ provide two channels of high-output, high-impedance, and low-noise gain with a rich and natural sound that brings out the full potential of your microphones.\u003c\/p\u003e\n\u003cp\u003eSpecifically designed for ribbon microphones, the RPQ3 excels at drawing out the warmth and lush sound that ribbons are uniquely known for.\u003c\/p\u003e\n\u003cp\u003eThe RPQ3 is a powerhouse that provides unparalleled high gain with low-noise. With 85db of JFET output, the RPQ3 gives you enough juice to record soft sources without ever having to worry about noise.\u003c\/p\u003e\n\u003cp\u003eThe RPQ3 is the tool of choice for all microphones whenever a true and pristine signal path is desired. AEA's 3rd generation circuitry is the cleanest and most musical design we've done yet.\u003c\/p\u003e\n\u003cp\u003eWith the RPQ3, you will never consider a source too quiet to record with a ribbon mic ever again. Passive ribbons with low output levels require preamps that supply a high level of output. If the preamp you use doesn't have enough clean gain, the mic signal may seem too soft or noisy which may be apparent when recording quiet acoustic guitars or strings, especially at a distance or with long cable runs. The RPQ3 eliminates this concern.\u003c\/p\u003e\n\u003cp\u003eThe RPQ3's CurveShaper EQ is a powerful tool that gives you the ability to control your microphone right at the start of the signal path. The updated adjustable boost\/cut low and high-frequency controls allow you to tame proximity problems and provide high-frequency extension with slope control. The high-frequency filter boost enables you to add presence and air to your source - perfect for sources like ribbons and 2-busses that often benefit from some extra top-end. The low-frequency control easily removes bass build-up in a fast and unobtrusive way.\u003c\/p\u003e\n\u003cp\u003eThe sound and tonality of dynamic microphones like ribbons and moving-coils are directly affected by the impedance of a preamp. The higher the impedance, the better the sound. The RPQ3 boasts an extra high input impedance of 68K Ohms (phantom power off).\u003c\/p\u003e\n\u003cp\u003ePreamps with an impedance of under 10k ohms will limit the lows, highs, and transients of your passive microphones. The RPQ3's high impedance will reveal your microphone's true nature - a thick low-end, open top-end, and articulate transient response that you will need to hear to believe. Both condensers and active microphones also benefit from the RPQ3’s impedance.\u003c\/p\u003e\n\u003cp\u003eThe worlds best microphones, coupled with AEA's range of transparent preamps, are the key choice for discerning recordists who want total control over their signal path. AEA offers the RPQ3, RPQ500, TRP3 and TRP500 microphone preamps, all of which provide clean gain and ultra high impedance to open up the sound of your microphones. All AEA Ribbon Preamps all share the same topology and sound. 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This design results in a versatile compressor with a clear and balanced sound perfect for taming vocals or smashing drum overheads. Designed to pair well with our TRP and RPQ series preamps, the 1029 Stereo VCA compressor is perfect for recording and\/or mixing stereo microphones.\u003c\/p\u003e\n\u003cp\u003ePacked into a sleek, half-rack design - the AEA 1029 is perfect for desktop use or for those looking to save space in their rack. But don't let its size fool you, the 1029 is a full-featured compressor that packs a punch. With 3 position Sensing Time (Peak Fast, Slow, and RMS) and a variable ratio from 1:1 - Limit, the 1029 can go from subtle to extreme as you see fit. Equally at home in a bedroom or professional studio, the AEA 1029 is the perfect addition to any engineer's toolkit.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHalf-rack form factor\u003c\/li\u003e\n\u003cli\u003e2 channels of XLR in and out\u003c\/li\u003e\n\u003cli\u003e3 position Peak Fast, RMS, and Peak Slow sensing times\u003c\/li\u003e\n\u003cli\u003eVariable threshold from -20dBu to 20dBu\u003c\/li\u003e\n\u003cli\u003eVariable ratio from 1:1 - Limit\u003c\/li\u003e\n\u003cli\u003eUp to 20dB of makeup gain\u003c\/li\u003e\n\u003cli\u003eDry\/Wet percentage control knob\u003c\/li\u003e\n\u003cli\u003eTrue bypass relay switching\u003c\/li\u003e\n\u003cli\u003eCircuit, including discrete op-amp, designed by Fred Forssell\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56456675918210,"sku":null,"price":1290.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_1029_Front.jpg?v=1773145607"},{"product_id":"aea-tdi","title":"AEA TDI Active Direct Box","description":"\u003cp\u003eWith a proprietary circuit design by Fred Forssell and a superclean Lehle step-down transformer, the ultra-transparent TDI and TDI Duo capture outstanding sonic performances with minimal distortion, noise interference or signal loss from long cable runs.\u003c\/p\u003e\n\u003cp\u003eThe TDI and TDI Duo's active circuitry delivers top-grade sound quality while minimizing distortion and noise interference and maximizing your signal over long cable runs. A ground-lift switch eliminates any remaining hum or noise that can arise from grounding loops. Though designed for instrument-level signals generated by passive pickups, the TDI and TDI Duo are perfect for line-level signals from drum machines, samplers, and synths.\u003c\/p\u003e\n\u003cp\u003eThe TDI and TDI Duo are built to last with a rugged steel chassis, ideal for tours, stage backlines, and years of rigorous studio use. You can also mount three TDI Duos onto a standard 19\" universal rack tray to create a six-channel 1U DI station.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom-powered DI box with active circuitry\u003c\/li\u003e\n\u003cli\u003eUltra-low-noise JFET buffer drives exceptionally clean Lehle step-down transformer\u003c\/li\u003e\n\u003cli\u003eHigh-fidelity sound quality with mitigation of distortion and noise interference\u003c\/li\u003e\n\u003cli\u003eEnhances signal for long cable runs protecting against degradation\u003c\/li\u003e\n\u003cli\u003eCompact, road-ready design with rugged durability\u003c\/li\u003e\n\u003cli\u003e-20 dB pad for speaker-level signals and active instruments\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56456696660354,"sku":null,"price":249.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_TDI_Front.jpg?v=1773145951"},{"product_id":"aea-tdi-duo-active-stereo-direct-box","title":"AEA TDI Duo Active Stereo Direct Box","description":"\u003cp\u003eWith a proprietary circuit design by Fred Forssell and a superclean Lehle step-down transformer, the ultra-transparent TDI and TDI Duo capture outstanding sonic performances with minimal distortion, noise interference or signal loss from long cable runs.\u003c\/p\u003e\n\u003cp\u003eThe TDI and TDI Duo's active circuitry delivers top-grade sound quality while minimizing distortion and noise interference and maximizing your signal over long cable runs. A ground-lift switch eliminates any remaining hum or noise that can arise from grounding loops. Though designed for instrument-level signals generated by passive pickups, the TDI and TDI Duo are perfect for line-level signals from drum machines, samplers, and synths.\u003c\/p\u003e\n\u003cp\u003eThe TDI and TDI Duo are built to last with a rugged steel chassis, ideal for tours, stage backlines, and years of rigorous studio use. You can also mount three TDI Duos onto a standard 19\" universal rack tray to create a six-channel 1U DI station.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePhantom-powered Stereo DI box with active circuitry\u003c\/li\u003e\n\u003cli\u003eUltra-low-noise JFET buffer drives exceptionally clean Lehle step-down transformer\u003c\/li\u003e\n\u003cli\u003eHigh-fidelity sound quality with mitigation of distortion and noise interference\u003c\/li\u003e\n\u003cli\u003eEnhances signal for long cable runs protecting against degradation\u003c\/li\u003e\n\u003cli\u003eCompact, road-ready design with rugged durability\u003c\/li\u003e\n\u003cli\u003e-20 dB pad for speaker-level signals and active instruments\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56456713404802,"sku":null,"price":415.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_TDI_Duo_Front.jpg?v=1773146371"},{"product_id":"aea-4038sa-stand-adapter-for-coles-4038","title":"AEA 4038SA Stand Adapter for Coles 4038","description":"\u003cp\u003eStand Adapter for mounting a Coles 4038 microphone on a 5\/8\" US mic stand thread.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56456725430658,"sku":null,"price":99.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_4038SA.jpg?v=1773146989"},{"product_id":"aea-decca-tree-mini","title":"AEA Decca Tree Mini","description":"\u003cp\u003e17\" (43cm) x 40\" (1m) microphone array positioner with 3 mic sliders.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56456777597314,"sku":null,"price":625.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_Decca_Tree_Mini_Angle.jpg?v=1773147817"},{"product_id":"aea-decca-tree","title":"AEA Decca Tree","description":"\u003cp\u003e1m x 2m microphone array positioner with 3 mic sliders.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Default Title","offer_id":56456790016386,"sku":null,"price":790.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_Decca_Tree_Angle.jpg?v=1773148137"},{"product_id":"aea-smp-17-stereo-bar","title":"AEA SMP-17 Stereo Bar","description":"\u003cp\u003eThe AEA SMP-17 is a 17-inch wide stereo bar that allows an unlimited amount of stereo configurations because of its unique slider technology. 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The unit is powered by an external switching power supply to keep switching noise away from the unit.\u003c\/p\u003e\n\u003cp\u003eThe acrylic sideplate of the unit comes in either clear or fluorescent orange. The chassis is made of steel and the bottom of the Snaqbox is affixed with durable rubber bumpers. All XLRs on the Snaqbox are Neutrik brand.\u003c\/p\u003e\n\u003cp\u003eThe Snaqbox features a LINK\/CASCADE switch. When engaged, the audio output of Channel 1 is internally routed to the input of Channel 2. The link switch disconnects the connection from the XLR input of Channel 2, but does not disconnect the output of Channel 1 (thus allowing dry and wet outputs).\u003c\/p\u003e\n\u003cp\u003eFive 1\/4\" flathead 4-40 screws are included with every unit.\u003c\/p\u003e","brand":"AEA","offers":[{"title":"Clear","offer_id":56457067594114,"sku":null,"price":332.5,"currency_code":"GBP","in_stock":true},{"title":"Orange","offer_id":56457067626882,"sku":null,"price":332.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0521\/1648\/8370\/files\/AEA_Snaqbox_Front.jpg?v=1773154546"},{"product_id":"aea-trp500-used","title":"AEA TRP500","description":"\u003cp\u003eThe first product in AEA's 3rd-generation of microphone preamps, the TRP500 leans on the side of neutral but is unlike other \"clean\" preamps because of its rich and musical tonality. 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